![]() ![]() If it was at least the theater of Robert Wilson (American director - Ed.), it would still be an art theater with a certain aesthetics. I do not want to be a snob, but there is no such thing as a theater that is a highly artistic theater of Tuminas or Butusov. And when Pyotr Fomenko was there, I thought that his theater was the most interesting.Īnd what of the American theater do you consider to be a manifestation of real theater, and not the pursuit of a show? ![]() As a director, I really love Dmitry Krymov - this is an unattainable value, and Yuri Butusov. As far as I know, he will now be staging a play in Israel. For example, Rimas Tuminas, who left the Vakhtangov Theater and left Russia. Which of the Russian directors do you consider an innovator who continues the traditions that led you to study in Russia?Īt first I studied at the Boris Shchukin Theater Institute, then at GITIS. It seemed to me that everything there would be closer to me than in the USA. But now I understand that at that time I was just trying to find myself, which is why I wanted to go to Russia. At that moment, I thought that the best theater school was founded by Konstantin Stanislavsky - in Russia. ![]() When I moved to the USA, I could not really “fit” into American life. ![]()
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